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A3

KOSTAS SPIROPOULOS

 

Kostas Spiropoulos was born and grow up in Patras, Greece. He has graduate from the Medical School of Athens University. 

Immediately after he travels in the United States of America and in Europe for several years where he studies in Art (Heron Art Institute) and exposes his Art work in Several Galleries, International art Fairs and Biennales in different countries of Europe and North America. 

For eight (8) years he teached as an Associate Professor in School of Fine Arts of the Ioannina University, the lesson of Artistic Anatomy and he was the author of the book of Artistic Anatomy printed from the University of Ioannina.

 

Art is our maternal language and an integral part of our life.      It’s time to put art in every moment – in every space.      Art have no homeland and lives only in your heart!

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BIOGRAPHY

Kostas Spiropoulos was born and grow up in Patras, Greece. He has graduate from the Medical School of Athens University. Immediately after he travels in the United States of America and in Europe for several years where he studies in Art (Heron Art Institute) and exposes his Art work in Several Galleries, International art Fairs and Biennales in different countries of Europe and North America. For eight (8) years he teached as an Associate Professor in School of Fine Arts of the Ioannina University, the lesson of Artistic Anatomy and he was the author of the book of Artistic Anatomy printed from the University of Ioannina.
He was presented in forty (40) solo Exhibitions and in thirty nine (39) group Exhibitions in Greece and abroad as: in Italy (Florence, Piassenza, Verona, Brindezi, Azolo, Palermo), Austria (Insbrough), Boulgaria (Sofia), U.S.A. (Los Angeles), France (Paris, Louvre Museum), Turkey (Istanbul), Canada (Vancouver), Belgium (Brussels), Czech Republic (Prague, Pilsen), Azerbaijan (Gabala). Also he participated in International Art Fair: in Turkey (Istanbul 2005, 2009), Czech Republic (Prague 2005), Austria (Insbrough 2009), Greece (Athens 2010), Italy (Florence 2006, Verona 2013, Piassenza 2016), Azerbaijan (Gabala 2015), in France (Paris Louvre Museum 2016), Canada (Vancouver 2016) and in International Biennales: in Czech Republic (Pilsen 2006, 2008), Italy (Azolo 2010, Palermo 2013). 

SOLO EXHIBITIONS

Zygos Gallery, Athens: 2003, 1994, 1991, 1988, 1986   /   Mediterranean Art Gallery, Brindisi, Italy, 2001   /   Psychari 36 Gallery, Athens 1994   /   Tower of Marcellus, Aegina 1993   /   Tholos Gallery, Athens 1992   /   Antenor Gallery Athens 1983   /   Astor Gallery Athens 1978   /   Polyhedron Art Gallery, Patras 2000   /   Municipal Gallery of Piraeus 2003   /   Ekfrasis Gallery Athens 2004   /   “Melina” Cultural Centre of the Municipality, 2005 of Athens, Athens 2005   /   ONMA Gallery, Santa Barbara, California, USA, 2005   /   Old Archaeological Museum of Thessaloniki, Yeni Tzami, Thessaloniki 2006   /   Galleria D’ Arte Mentana Florence, Italy 2007   /   Gallery Iries Athens 2008   /   Municipal Gallery of Syros 2008   / Gallery Iris Athens 2010   /   Peri technon Gallery Athens 2011   /   Museum Michalis Kakoyiannis Athens December 2011 – January 2012   /   Peri technon Gallery, Athens 2013   /   Museum Michalis Kakoyiannis Athens, Athens 2013

Zygos Gallery, Athens: 2003, 1994, 1991, 1988, 1986   /   Mediterranean Art Gallery, Brindisi, Italy, 2001   /   Psychari 36 Gallery, Athens 1994   /   Tower of Marcellus, Aegina 1993   /   Tholos Gallery, Athens 1992   /   Antenor Gallery Athens 1983   /   Astor Gallery Athens 1978   /   Polyhedron Art Gallery, Patras 2000   /   Municipal Gallery of Piraeus 2003   /   Ekfrasis Gallery Athens 2004   /   “Melina” Cultural Centre of the Municipality, 2005 of Athens, Athens 2005   /   ONMA Gallery, Santa Barbara, California, USA, 2005   /   Old Archaeological Museum of Thessaloniki, Yeni Tzami, Thessaloniki 2006   /   Galleria D’ Arte Mentana Florence, Italy 2007   /   Gallery Iries Athens 2008   /   Municipal Gallery of Syros 2008   / Gallery Iris Athens 2010   /   Peri technon Gallery Athens 2011   /   Museum Michalis Kakoyiannis Athens December 2011 – January 2012   /   Peri technon Gallery, Athens 2013   /   Museum Michalis Kakoyiannis Athens, Athens 2013   /   Retroactine Exhibition, Archaeological Museum of Patras, 2014   /   Municipal Gallery of Mykonos, 2008   /   Archaeological Museum of Thessaloniki, 2015   /   Fetihie Tzami, Nafpaktos 2015   /   Museum of Athens, December 2015   /   Theorem Gallery Brussels, February 2016   /   Museum Katsigras Larisa, November 2016   /   Archaeological Museum of Athens, February 2017   /   Delphi Museum, September 2017   /   The Hellenic Centre – London, October 2017   /   Museum Michalis Kakoyiannis Athens December 2017 (Tansfer of the exhibition of The Hellenic Centre, London)   /   E Gallery July 2018, Loutraki   /   Corfu Art Gallery September 2018, Corfu Greece   /   Morphe Gallery November 2018, Limassol Cyprus   /   Click Art Gallery December 2018, Brussels Belgium

EDITIONS

ASSUMPTIONS OVER ASSUMPTIONS
Contemporary thinking claims that space is not void. It is connected with the creation of instantly formed “virtual” particles, which fill the void the virtual space, leaving clear traces of their activities, one of which is visual excitation. Ironically, our vision, our means of seeing and getting to know the world, is partially “blind”, as it cannot tell many small particles apart and interprets them as one. Thus, based on our vision, we form a distorted view of the real world of forms as Plato describes it. Because the world is formed by both mater and space. Space however, is a vacuum that bubbles, full of field escalations, a soup of virtual particles constantly coming to life and dying. Space is there. It is dynamic, a developing entity, it is not static nor empty, it is the scrim on which our “visible” world’s shadow theatre is performed. Figures hold leading roles in the theatre of life, the scrim acting as the prerequisite for the play. Painting is the soughtafter, colourful maiden exploring the truth in the play and the roles. Because in the play called life, the subject is very important, but the distribution of roles is ridiculous.

MORE

His Art profile is presented from Italian Academy of Fine Arts in special volume containing the representatives of Contemporary European Paintings, Issued, 2016. For his Art work have mentioned important Greek and foreigners painters and Art Historians as : Fassianos (Painter), Gabriella Hajkova (Art Historian, Director of International Biennale of Pilsen), Chrisanthos Christou (Academic and Professor of Art History), Stelios Lidakis (Professor of Art History), Barbara Angiolini (Historian of Art), Charis Kambouridis (Historian of Art), Salvatore Autovino (Professor of Art History), Paolo Levi (Historian of Art), Athena Schina (Historian of Art), George Pantis (President of School of Fine Arts of Ioannina University), George Katsagellos (Professor in School of Fine Arts of Thessaloniki University), Nikolaos Zias (Professor in History of Art), Roberto Chiavarin (Member of the Italian Academy of Fine Arts), Polixene Veleni (Director of Archaeological Museum of Thessaloniki), 

His Art profile is presented from Italian Academy of Fine Arts in special volume containing the representatives of Contemporary European Paintings, Issued, 2016. For his Art work have mentioned important Greek and foreigners painters and Art Historians as : Fassianos (Painter), Gabriella Hajkova (Art Historian, Director of International Biennale of Pilsen), Chrisanthos Christou (Academic and Professor of Art History), Stelios Lidakis (Professor of Art History), Barbara Angiolini (Historian of Art), Charis Kambouridis (Historian of Art), Salvatore Autovino (Professor of Art History), Paolo Levi (Historian of Art), Athena Schina (Historian of Art), George Pantis (President of School of Fine Arts of Ioannina University), George Katsagellos (Professor in School of Fine Arts of Thessaloniki University), Nikolaos Zias (Professor in History of Art), Roberto Chiavarin (Member of the Italian Academy of Fine Arts), Polixene Veleni (Director of Archaeological Museum of Thessaloniki), Aglaia Archontidou (Archaheologist, Director of the Ministry of Culture), Ruhangiz Heydarova (Historian of Art), Antigoni Kapsali (Historian of Art of Katsigras Museum) and Dora Illiopoulou – Rogan (Historian of Art), Georgia Georgopoulou (Archaeologist, Msc Cultural Management), Xenia Kaldara (General Director and President of the Institute Michalis Kakogiannis),  and others. 

ARTWORKS

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